"Ah," said Fleda, "I'm not so sure!" If Mr. Gereth's mother smiled in response to this, Fleda knew that her smile was a tacit criticism of such a form of reference to her son. Fleda habitually spoke of him as Mr. Owen, and it was a part of her present vigilance to appear to have relinquished that right. Mrs. Gereth's manner confirmed a certain impression of her pretending to more than she felt; her very first words had conveyed it, and it reminded Fleda of the conscious courage with which, weeks before, the lady had met her visitor's first startled stare at the clustered spoils of Poynton. It was her practice to take immensely for granted whatever she wished. "Oh, if you'll answer for him, it will do quite as well!" she said. Then she put her hands on the girl's shoulders and held them at arm's length, as if to shake them a little, while in the depths of her shining eyes Fleda discovered something obscure and unquiet. "You bad, false thing, why didn't you tell me?" Her tone softened her harshness, and her visitor had never had such a sense of her indulgence. Mrs. Gereth could show patience; it was a part of the general bribe, but it was also like the handing in of a heavy bill before which Fleda could only fumble in a penniless pocket. "You must perfectly have known at Ricks, and yet you practically denied it. That's why I call you bad and false!" It was apparently also why she again almost roughly kissed her.!

She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. "Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain."

"Good-bye, Mr. Gereth—I must get on!" she declared with a cheerfulness that she felt to be an unnatural grimace. She broke away from him sharply, smiling, backing across the grass and then turning altogether and moving as fast as she could. "Good-bye, good-bye!" she threw off again as she went, wondering if he would overtake her before she reached the gate; conscious with a red disgust that her movement was almost a run; conscious too of just the confused, handsome face with which he would look after her. She felt as if she had answered a kindness with a great flouncing snub, but at any rate she had got away, though the distance to the gate, her ugly gallop down the Broad Walk, every graceless jerk of which hurt her, seemed endless. She signed from afar to a cab on the stand in the Kensington Road and scrambled into it, glad of the encompassment of the four-wheeler that had officiously obeyed her summons and that, at the end of twenty yards, when she had violently pulled up a glass, permitted her to recognize the fact that she was on the point of bursting into tears. "Why, she simply won't marry me, don't you see?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"